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	<title>Comments on: The Lost Tarantino Mixtape</title>
	<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/</link>
	<description>some kind of record</description>
	<pubDate>Thu, 08 Jan 2009 11:58:52 +0000</pubDate>
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		<title>by: Mike</title>
		<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-28125</link>
		<pubDate>Fri, 11 Apr 2008 01:22:42 +0000</pubDate>
		<guid>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-28125</guid>
					<description>ah but I am going for songs that seem to belong in a film soundtrack in a Tarantino way but which have not been used... Kbrick's use of Singin in the Rain is a great exemplar of what I am striving for though</description>
		<content:encoded><![CDATA[<p>ah but I am going for songs that seem to belong in a film soundtrack in a Tarantino way but which have not been used&#8230; Kbrick&#8217;s use of Singin in the Rain is a great exemplar of what I am striving for though</p>
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		<title>by: Henrik</title>
		<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-28113</link>
		<pubDate>Thu, 10 Apr 2008 16:51:40 +0000</pubDate>
		<guid>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-28113</guid>
					<description>You missed the biggest one of all time - Singin' In The Rain. But I guess you could argue that A Clockwork Orange isn't really pop cinema... Either way, deserves mention.</description>
		<content:encoded><![CDATA[<p>You missed the biggest one of all time &#8211; Singin&#8217; In The Rain. But I guess you could argue that A Clockwork Orange isn&#8217;t really pop cinema&#8230; Either way, deserves mention.</p>
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		<title>by: Ryan of the RSL Musi</title>
		<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-16160</link>
		<pubDate>Tue, 07 Aug 2007 03:21:44 +0000</pubDate>
		<guid>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-16160</guid>
					<description>Sweet! May I also recommend... &lt;i&gt;&lt;a href=&quot;http://aquariumdrunkard.com/2007/07/28/wes-anderson-a-soundtrack-enthusiast-2&quot; rel=&quot;nofollow&quot;&gt;this&lt;/a&gt;&lt;/i&gt;</description>
		<content:encoded><![CDATA[<p>Sweet! May I also recommend&#8230; <i><a href="http://aquariumdrunkard.com/2007/07/28/wes-anderson-a-soundtrack-enthusiast-2" rel="nofollow">this</a></i></p>
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		<title>by: Mike</title>
		<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12666</link>
		<pubDate>Sat, 19 May 2007 16:12:56 +0000</pubDate>
		<guid>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12666</guid>
					<description>Ok I forgot one of the great repruposes of 2007: Donovan's 'Hurdy Gurdy Man' in Zodiac... will not be able to listen to that song the same way again.</description>
		<content:encoded><![CDATA[<p>Ok I forgot one of the great repruposes of 2007: Donovan&#8217;s &#8216;Hurdy Gurdy Man&#8217; in Zodiac&#8230; will not be able to listen to that song the same way again.</p>
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		<title>by: Mike</title>
		<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12365</link>
		<pubDate>Wed, 16 May 2007 17:51:15 +0000</pubDate>
		<guid>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12365</guid>
					<description>I only know it from the documentary No Direction Home... which now that I think of it may disqualify it for this list... but I guess I can get by because it was not a fiction film.</description>
		<content:encoded><![CDATA[<p>I only know it from the documentary No Direction Home&#8230; which now that I think of it may disqualify it for this list&#8230; but I guess I can get by because it was not a fiction film.</p>
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		<title>by: Ryan of the RSL Webl</title>
		<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12328</link>
		<pubDate>Wed, 16 May 2007 00:48:08 +0000</pubDate>
		<guid>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12328</guid>
					<description>I love that Dylan song - Dink's Song. I don't know it?! Where and when?

 Coolness. 

 A salute from Boston!</description>
		<content:encoded><![CDATA[<p>I love that Dylan song &#8211; Dink&#8217;s Song. I don&#8217;t know it?! Where and when?</p>
<p> Coolness.</p>
<p> A salute from Boston!
</p>
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		<title>by: Madpercolator &#187; Blog Archive &#187; The Cinematic Playlist</title>
		<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12247</link>
		<pubDate>Sun, 13 May 2007 23:28:12 +0000</pubDate>
		<guid>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12247</guid>
					<description>[...] My previous list - attached with displays for some of the tracks, was more of a score. This list, this is more abstracted around the theme of a soundtrack, where director, composer and others sit around the table swapping track ideas. Unlike a score composition, which I feel serves to punctuate the words uttered in the dialogue or the themes as they recur, soundtrack songs serve to significantly elnogate ot truncate time for the sake of action, or sometimes even for the pure action of the extended tracking shot. Think of the song cranking up as the camera lingers over the face of one of the characters who&amp;#8217;s just come to a major realization to convey the vastness of the particular moment. Think also of the montage - the tune playing over a pastiche of key mini-moments demonstrating progress over the course of a longer stretch of time.  So the word &amp;#8220;repurpose,&amp;#8221; as used critically by Mr. Rot in his submission drove the point home about hot to approach this idea of a soundtrack. That and the mention of the oft-invoked Tarantino (heh, fanboys&amp;#8230;) made me realize I needed to selectmy niche soundtrack-director. I couldn&amp;#8217;t really settle into one, so I went with an amalgal - aome 75% is Coen Bros. with 25% Jeunet.  I thought carefully over whether it was possible to track the new songs for my playlist with the ghost-factory narrative - I think I kind of can - the relationship part of it, anyhow. It has to be about the relationship - my favorite stylized sountracky directors focus very highly on characterization in favor of basic plot. Haneke is al about internal conflict, as was Mankiewicz, is Cuaron, Julie Taymor&amp;#8230; So this soundtrack is associated with the score that is the previous list - instead of giving you a technical and descriptive paragraoh about the &amp;#8216;moment&amp;#8217; each track represents, I give you one word, embodying as best as possible the progress made in the plot.    This part is the score. Were I to make a movie, the original score would have to be composed by John Barry.  In the same way that a Tarantino soundtrack sounds unmistakably like a Tarantino soundtrack, this is a Mad Percolator-sounding soundtrack. Hence, this soundtrack contains generous doses of tunes that live on the line between symphonic and electronic genres. Less attention was paid to the blending of tempo between tracks, as presumably there are scenes and dialogue interrupting the tracks. The usual attention was paid to the key of each song, and relating the melodic themes of each track.  THE PREVIOUS LIST (1) Elbow - Station Approach   (2) Richard Davis - Others   (3) Amon Tobin - Slowly   (4) Basement Jaxx - Rendez-vu   (5) Automato - Focus   (6) Wagon Christ - I&amp;#8217;m Singing   (7) Feist - Lonely Lonely (Frisbee&amp;#8217;d Mix)  (8) Joanna Newsom - Bridges &amp;#38; Balloons Remix  (9) VAST - Touched  (10) The Vines - Autumn Shade Part II  (11) Noir Desir - Le vent nous portera  (12) lemon.jelly - Kneel Before Your God [...]</description>
		<content:encoded><![CDATA[<p>[...] My previous list &#8211; attached with displays for some of the tracks, was more of a score. This list, this is more abstracted around the theme of a soundtrack, where director, composer and others sit around the table swapping track ideas. Unlike a score composition, which I feel serves to punctuate the words uttered in the dialogue or the themes as they recur, soundtrack songs serve to significantly elnogate ot truncate time for the sake of action, or sometimes even for the pure action of the extended tracking shot. Think of the song cranking up as the camera lingers over the face of one of the characters who&#8217;s just come to a major realization to convey the vastness of the particular moment. Think also of the montage &#8211; the tune playing over a pastiche of key mini-moments demonstrating progress over the course of a longer stretch of time.  So the word &#8220;repurpose,&#8221; as used critically by Mr. Rot in his submission drove the point home about hot to approach this idea of a soundtrack. That and the mention of the oft-invoked Tarantino (heh, fanboys&#8230;) made me realize I needed to selectmy niche soundtrack-director. I couldn&#8217;t really settle into one, so I went with an amalgal &#8211; aome 75% is Coen Bros. with 25% Jeunet.  I thought carefully over whether it was possible to track the new songs for my playlist with the ghost-factory narrative &#8211; I think I kind of can &#8211; the relationship part of it, anyhow. It has to be about the relationship &#8211; my favorite stylized sountracky directors focus very highly on characterization in favor of basic plot. Haneke is al about internal conflict, as was Mankiewicz, is Cuaron, Julie Taymor&#8230; So this soundtrack is associated with the score that is the previous list &#8211; instead of giving you a technical and descriptive paragraoh about the &#8216;moment&#8217; each track represents, I give you one word, embodying as best as possible the progress made in the plot.    This part is the score. Were I to make a movie, the original score would have to be composed by John Barry.  In the same way that a Tarantino soundtrack sounds unmistakably like a Tarantino soundtrack, this is a Mad Percolator-sounding soundtrack. Hence, this soundtrack contains generous doses of tunes that live on the line between symphonic and electronic genres. Less attention was paid to the blending of tempo between tracks, as presumably there are scenes and dialogue interrupting the tracks. The usual attention was paid to the key of each song, and relating the melodic themes of each track.  <span class="caps">THE PREVIOUS LIST </span>(1) Elbow &#8211; Station Approach   (2) Richard Davis &#8211; Others   (3) Amon Tobin &#8211; Slowly   (4) Basement Jaxx &#8211; Rendez-vu   (5) Automato &#8211; Focus   (6) Wagon Christ &#8211; I&#8217;m Singing   (7) Feist &#8211; Lonely Lonely (Frisbee&#8217;d Mix)  (8) Joanna Newsom &#8211; Bridges &#38; Balloons Remix  (9) <span class="caps">VAST </span>- Touched  (10) The Vines &#8211; Autumn Shade Part <span class="caps">II  </span>(11) Noir Desir &#8211; Le vent nous portera  (12) lemon.jelly &#8211; Kneel Before Your God [...]</p>
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		<title>by: Perc</title>
		<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12219</link>
		<pubDate>Sun, 13 May 2007 15:46:10 +0000</pubDate>
		<guid>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12219</guid>
					<description>I've got your list loaded, and the writing for the post is so totally solid, I now know pretty accurately what kind of list mine should be.

I should have my totally re-done list out and up this evening - you will want to get rid of the list that had originally been there.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve got your list loaded, and the writing for the post is so totally solid, I now know pretty accurately what kind of list mine should be.</p>
<p>I should have my totally re-done list out and up this evening &#8211; you will want to get rid of the list that had originally been there.</p>
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		<title>by: mike</title>
		<link>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12137</link>
		<pubDate>Sat, 12 May 2007 13:25:52 +0000</pubDate>
		<guid>http://www.thepaganagenda.com/2008/02/28/the-lost-tarantino-mixtape/#comment-12137</guid>
					<description>Perc has made her own cinematic playlist to join in on the fun.  I look forward to listening to it on my way to work monday:

http://madpercolator.com/?p=852</description>
		<content:encoded><![CDATA[<p><a target="_blank" href="http://www.madpercolator.com/">Perc</a> has made her own cinematic playlist to join in on the fun.  I look forward to listening to it on my way to work monday:</p>
<p><a href='http://madpercolator.com/?p=852' rel='nofollow'>http://madpercolator.com/?p=852</a></p>
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